All-Star Western has finally left Gotham City with
issue #7, but things haven’t substantially improved. Amadeus Arkham is still Jonah Hex’s
sidekick. The action has moved to New
Orleans, which is not quite the west.
The new villains are a group of anti-immigrant terrorists in improbably
steampunk outfits (with lots of leg, of course). There are a couple of new additions, or
reintroductions, in classic DC western heroes Gunhawk and Cinnamon. DC is keeping All-Star Western firmly
rooted in the Batman family by suggesting that Arkham got the idea for a masked
vigilante running the rooftops of a city from these two, although I believe
this may be the first time that Cinnamon ever wore a mask. Jonah Hex’s characterization is still
odd. At one point he runs into a burning
building to rescue victims of a bombing; even one of the side characters notes how
out of character that is for Hex.
I’d like to blame the writers for
fraking this series up so badly, but I don’t think this is their fault. Palmiotti and Gray could not have suddenly
collapsed this badly moving between the Jonah Hex series and All-Star
Western. They write the backup
stories in each issue (this one featuring Gunhawk’s origin) and those are well
written and engaging. DC’s New 52 is
doing a tough job of realigning 60+ years of comics into something new and
marketable, and for some fool reason Jonah Hex got shoved into the Batman
family as part of it. DC would have done
better returning Hex to the Vertigo line, which is where Tim Truman and Joe
Lansdale did such great work on the character in the 1990’s.
Of course, hypocritically, I will keep
buying it, because I get the feeling that the comics publishing world is
looking at the sales of All-Star to gauge whether to let another western from a
major publisher hit the shelves. It’s a
crappy way to do business, but it is what it is.
You and me both, sister! |
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