
Monday, November 3, 2014
Quickshots- Linda and Abilene

Friday, July 4, 2014
Thursday, January 30, 2014
Monday, November 18, 2013
Ande Parks Explains Why the Lone Ranger Comic Fails

NANCY COLLINS: What do you think
today’s comic fan is looking for from a character like the Lone Ranger?
ANDE PARKS: They want to see the man’s
values on display. They want to see that pillar of justice. They want the
interplay between Lone Ranger and Tonto. They want action, but not without some
meaning. I think, in the case of our book, they also want a sense for what the
real Old West was like. I hope so, anyway… because we really try to get some of
that history into the book. I think it adds another layer. It makes the heroic
stories more believable, which elevates the heroism.
Doesn’t that make you want to read
Lone Ranger? Alas, Ande Parks’ Lone
Ranger run fails to do any of that for me, which is why I quit reading it in
the teens. I often wonder why Dynamite
gave Parks’ a shot at writing Lone Ranger, especially considering the following
Q&A:
NANCY COLLINS: How familiar were you
with the Lone Ranger before coming on as writer for the series?
ANDE PARKS: To be honest, not very. I
had seen the show some as a kid, but I definitely not what you would have
called a big fan. The first time I wrote the characters was in the Death of
Zorro mini-series, and I struggled to find their voices in that first issue.
Still struggling, dude. I applaud your efforts, though.
Sunday, November 17, 2013
La Ley del Revolver- Like Louis L’Amour, but with Nudity & Evisceration

So I finally figured out where Rafael Gallur publishes his fantastic western art- Mexican comic books, like La Ley
del Revolver. While western comics are
few and far between here in the US, they are apparently all the rage south of
the border.
The art is simple, and that’s a good
thing. It’s like Mexico somehow skipped
the Jack Kirby "everything is kinetic and crazy" movement, and then skipped the
Joss Whedon decompressed comics movement that followed. They just kept on drawing as if they were
doing comic strips. And while I love the
changes and experiments in comics art that take place here in the US, I keep
reading these little books and thinking, “huh, these are just fun.”
Fun, that is, if your definition of
fun involves constant sex and Tarantino-levels of violence. The first fight scene I read involved one
cowboy fighting off three bounty hunters.
He cut one’s head off with a bowie knife, threw the knife through a
second’s chest, then set the third on fire before smashing his head to pieces
on a rock.
La Ley del Revolver sure isn’t going
to win and Eisner or a Spur award any time soon, but they are a fun read, like
sinking into a Louis L’Amour novel (if his characters were frequently naked and
eviscerated).
Labels:
an evening's redness,
comics,
Rafael Gallur,
randy cowpoke
Sunday, October 27, 2013
The Day Manly-Man Walt Whitman Met Cowboy Oscar Wilde

![]() |
Oscar Wilde lampooned in a San Francisco magazine |
So here's the thing about Oscar Wilde's tour of the American West... he met Walt Whitman, the manliest of men who ever loved manly men. When they met, the local press interviewed Whitman, and here is what he said: "One of the first things I said was
that I should call him ‘Oscar.’ ‘I like that so much,’ he answered, laying his
hand on my knee. He seemed to me like a great big, splendid boy. He is so
frank, and outspoken, and manly."
Damn, that's some manly stuff right there. A blog called The Toast wrote about this in exquisite detail. All that I am going to do here is quote from an article describing the meeting of two 19th century literary giants and let you wander on to read the actual post yourself.
This is a gift. You do realize that,
don’t you? History has reached out to you specifically and given you a gift.
The gift is the knowledge that Oscar Wilde once put his hand on Walt Whitman’s
knee and then they drank elderberry wine together; the gift is that the next
day a reporter turned up and Whitman expounded at length on his big, splendid
boy.
Happy trails, pard!
![]() |
Hex & Wilde, Cowboy Style |
Labels:
brokeback,
Jonah Hex,
Oscar Wilde,
Walt Whitman
Friday, October 25, 2013
On Reading Jory Sherman’s Sidewinder While Ordering Chinese Food

Today after a long day of work I
stopped on the way home at a chinese takeout place. Knowing it would take a few minutes for my
order to come together I reached into my backpack and found Sidewinder. The girl at the register laughed when I
ordered my General Tso’s Bean Curd (what, there are no vegetarian cowboys in
China?!?). Taking a seat, I flipped open
the book.
Chapter one, page one, paragraph one. Already there is a square jawed hero. No, really, he is described as having a
square jaw. The rest of the page is
exacting descriptions of two characters.
Our hero, Brad Storm (seriously?), is given more visual description in this first page than
the Kid was given in 327 pages of Blood Meridian.
On to chapter two, in which our hero
beats nine kinds of shit out of a rattlesnake.
I think. That happened really
fast and I’m not sure exactly what happened to chapter one. I go back and reread all of chapter one. I’m back to chapter two and the snake is
still dead and the hero is dying.
Is this the book that got such a good
review? I look at the cover. Yeah, I think this is it. I hope the writing picks up. Wonder what’s taking the food so long? I like how the delivery guy has his collar
flipped up like a bad boy from an 80’s movie.
Is that woman cooking the same woman who took my order? No, she’s older. Oh, there’s the cashier, she’s sitting behind
the counter playing with her phone. I’ve
really found some good comics for the Ipod.
Wonder if the cook’s married to that delivery guy, they seem to get
along. Can you believe that woman at the
other Chinese place by the yoga studio is having another kid? Amazing.
I don’t have any kids. She’ll
have two. She seems so young. Oh yeah, I’m reading this book.
There’s some woman, and she knows how
to handle a gun. Sherman really knows a
lot about guns. I wonder if he knows how
to develop characters without direct exposition? I bet this woman is the wife of the main
character and she gets kidnapped. Let’s
read the back cover. Yup, she gets
kidnapped. Huh, what’s that say:
"Jory Shreman is a national treasure"- Loren Estleman.
Estleman. That guy can write. Didn’t I listen to The Adventures of Johnny Vermillion on my morning
walk? Yeah, I’ll have to listen more in
my evening walk. He writes a lot of good
books. So does F.M. Parker, I should dig
some of those out. Like that trilogy of
interconnected novels all taking place in parallel during the Mexican American
War? That was cool. Amazing how Riders of the Purple Sage turned
out to be such a crisply written, proto-feminist, erotic read. Man I love that book. Can’t believe Mrs. Slap loved it, too.

Man, this food is taking a while. Had to go hunt up extra bean curd. Where was I?
Chapter four. Four?!? Are you fucking kidding? Okay, now there’s an Arapaho and a Navajo who
are helping out the poisoned hero. Wow,
that’s some bad dialog. Did this come
right out of the 1950’s crazy racist Injun dialog book?
There’s the table with a stack of free
magazines. I should read one of
those. Maybe I’ll leave the book
here. No, someone’ll just throw it
away. People really seem to like this guy’s writing. I wonder why? If I review it on my blog and he reads it
will he be pissed? Last time I published
an article someone told me to never read the comments. Then I read the comments. One day I’ll publish my novel and people will
hate it. That sucks. Got to finish it first. First comes my yoga certification, then I’ll
finish the book. Where’s my food?

Ah, my bean curd. Smile at the Chinese girl, she’s laughing at
your bean curd. That’s fine, I don’t
have to read any more of this book now.
Labels:
bikinis,
Ed Erdelac,
FM Parker,
food,
Jory Sherman,
Loren Estleman,
personal notes,
Peter Brandvold,
Zane Grey
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