Art by Mexican artist Rafael Gallur |
In Mexico the cowboy tradition goes
back further than the in the United States.
Much of the cowboy culture the developed here in the U.S. is in fact an
adoption of Mexican vaquero habits by Americans. For some reason, though, much of that seems
to be lost on American audiences looking into the West. Our collective consciousness of the West seems
to cut off anything Mexican with the bloodshed of the Alamo, and to a lesser
extent the internecine Texas-Mexican conflicts and the Mexican-American
War.
Zorro we can accept, because he is
somehow Spanish and Californian instead of Mexican, and perhaps because he precedes
the Alamo. Vaqueros, though, never enter our
stories in great numbers. There are
plenty of ex-bandits roaming western novels, including the Hat Creek Cattle
Company’s cook Bolivar in Lonesome Dove, but a simple earthy vaquero to match
the American cowboy rarely makes an appearance (with a modern exception in the
2005 film Three Burials of Melquiades Estrada).
One of my favorite images of the
vaquero comes from the O. Henry short story “The Caballero's Way",
featuring a young rogue-ish vaquero named The Cisco Kid. That’s right, the same O. Henry who wrote your
grade school classics “Lady or the Tiger” and “Gift of the Magi” wrote a great
collection of western short stories informed by him time on the run in Latin America
and in the West, avoiding arrest for embezzlement. He was a heck of a guy. Here’s his description of Cisco:
The
Cisco Kid had killed six men in more or less fair scrimmages, had murdered
twice as many (mostly Mexicans), and had winged a larger number whom he
modestly forbore to count. Therefore a woman loved him.
The
Kid was twenty-five, looked twenty; and a careful insurance company would have
estimated the probable time of his demise at, say, twenty-six. His habitat was
anywhere between the Frio and the Rio Grande. He killed for the love of
it—because he was quick-tempered—to avoid arrest—for his own amusement—any
reason that came to his mind would suffice. He had escaped capture because he
could shoot five-sixths of a second sooner than any sheriff or ranger in the
service, and because he rode a speckled roan horse that knew every cowpath in
the mesquite and pear thickets from San Antonio to Matamoras.
And also this simple description of a
simple (if bloodthirsty) man:
He
knew but one tune and he sang it, as he knew but one code and lived it, and but
one girl and loved her.
The Cisco Kid would in time become an
unrecognizable stock character in black & white serials and television,
becoming a knight in shining spurs instead of a wily rider of backcountry. Moonstone comics would eventually bring him
back in a series of comics, returning to O. Henry’s original character now seeking
redemption for the consequences of “The Caballero's Way”.
In his blog Richard Wheeler talked
about a pitch he made to write a series about a Mexican cowboy, and how
publishers found the idea unsellable. What
do you think? In our multi-ethnic world
is there room for a paperback vaquero?
O Henry wrote some great (western and other) short stories, but "The Lady And The Tiger" was written by Frank Stockton.
ReplyDeleteI really shouldn't write this stuff late at night when I am too tired to do proper research. Thanks!
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